Showing posts with label bike. Show all posts
Showing posts with label bike. Show all posts

Thursday, January 1, 2015

Episode 83 | Owls and parrots








Carlo was never a bad father, actually.






But he abandoned me. 

And the fact that he used to be so loving doesn't mitigate his fault, nor the pain he caused me -- maybe it even worsened it.






He was never a bad father, let's put it this way, until he walked out on me. Immediately, he then became the worst.


*****




One night in Punaouilo, I was already asleep when Carlo woke me up to share that we would finally see Catherine. He had just spoken to her over the telephone, and he wanted to let me know it right away.

It was the year of 1983 -- the Catalan painter Joan Miró died that year, but not until more than 10 years later would I get in contact with his works; William Golding was awarded the Nobel Prize for Literature, but only 20 years later would I read his haunting novel 'Lord of the Flies'; Red Hot Chilli Peppers launched their first album, but I took music for the few folkloric songs from the Pacific I knew, and had never heard of rock'n'roll before; "Return of the Jedi" opened in theatres, but I had never been to the movies before. Be it the opening of Disneyland in Tokyo -- both places unknown to me -- or Tatcher being re-elected -- I had never heard of her, either -- 1983 was so important to me because it was the year I reunited with my mother.

"When is she coming, Daddy?" I had asked, screaming and bouncing on my bed, filled with joy. Next, I jumped on my father's neck and we swirled around the room.

When my euphoria subsided, Carlo put me on the bed again, where I went on jumping. Catherine would never have allowed me to do that, but I knew Carlo wouldn't complain. "Actually, we're going for her." Carlo stared at me, studying my face, worried about my reaction. "We are going to France, Laurent."







Of course we learned about the history of France in school, but from that night on, I began to ask Carlo all about the country. How bigHow farHow do we get thereAre we going to stay in VersaillesDo I have to study in France, tooWho is the King of France, nowHow are the French childrenIs the school near the seaWill we visit Mademoiselle MonalisaWhat can I bring? He was patient and kind to me, but actually he did not know much about our destination either.






"I've only been to Paris, Laurent." I now imagine that Carlo had then suffered from my frequent questions about Paris -- a city inextricably tied in his memoirs to his beloved Armand. "And, for now, we will not go to Paris. I'm afraid Mademoiselle Monalisa will have to wait. Your mother found a house for us in Southern France, and that's where we'll meet her." Patiently, Carlo clarified me about everything he could, even if the return to France would cause him a bit of anguish mingled with melancholy. "That's where we are going to live!"






Moving to France was the most exciting thing that had ever happened in my eight years of life. 

I had never left Punaouilo, and I took it for a very, very large island, since it was impossible to circle it on my bike, not even within one whole day. Actually, I had never tried that -- but I imagined it being thaaaat big!

I had no idea about ​​the size of the country I was headed to, nor how far I would have to travel until reuniting with my mother. 






Nor did I perceive the dimension of that farewell to Punaouilo -- I did not realize it would be so definitive, for I had never gone back. 

The only goodbyes I knew at that age were those at the end of the school year, when I bid farewell to my classmates -- to meet them again the next semester. I guess I still imagined that we would meet my mother and then together return to the island that I knew as home. France was not  yet definitive in my mind -- maybe I simply hadn't learned the meaning of 'definitive', yet.






That's why I was not sorrowful during our last visit to Passage Beach, where Carlo had taught me how to swim in the company of the haunting ship wreck and sharks.






Because I did not know that everything I did was for the last time, I don't remember crying. 

I was instead so very happy to meet my mother again. And Carlo mentioned we would celebrate my birthday on a ship, and that seemed so special and exciting to me. All the new things that kept coming made me more expectant and enthusiastic about our moving to France, and just because I had no clear perception of the dimension of how my life would radically change, I felt no fear, no sadness.

The last time I hugged Joanna and Will. The last time I swam at the enormous pool of the mansion. My last day in Punaouilo's school, probably the most beautiful school that has ever existed in the world, with classrooms opening onto the vibrant tropical landscapes, the sea illuminating our lessons, the breeze sometimes carrying away the voices of our teachers and liberating our minds for daydreaming.






I did not know that for the last time I was inhaling the scent of the tropical flowers and picking from the trees mangoes ripened under the sun. Nor that I would never again fall asleep to the sound of the animals in the forest next to our house, glancing through the window at the starry skies. 

The hardest part was to get rid of my bike and books.






"Why can't I take it with me, Daddy? You said the ship is huge! Don't you think my bike would fit in?" Carlo must have heard thousands of questions during the days preceding our departure.

And that was my first lesson of letting go and unattachment, when I finally gave my bike to Uncle Will's nephew. That bike had been my greatest wish for a long time, and the first gift that I had ever received from my father. I think for him as well, the bike was like a landmark of the shift in his life that Davez Drew's support had represented for his art. 

"We'll buy you a new one in France, Laurent, I promise! A fancier one, even!"

"But it is this one that I love, Daddy..."







And indeed, just a few weeks after landing on French soil, I had my new bike, even better and more modern than the Punaouilo version had been. And a lot of toys, books, and a whole new room -- all just for me. 

"Are you coming from the Carnival of Venice?" -- Catherine had laughed the moment she saw us arriving at our modern, beautiful and tranquil house on the French countryside, with no neighbors in sight -- nor the sea to be seen anywhere. She was talking about the new and colorful clothes that Carlo had bought for us in Marseille still, just after we had disembarked. A last minute change of plans when Catherine couldn't have met us at the port -- and I had boarded the first train in my life to get to my new home.







My adaptation would be difficult. All the novelty of my life as a wealthy boy did not compensate the loss of the proximity to the ocean and the freedom of going about dressed only in my swimsuit, had I wanted it -- Catherine had always hated to see me "dressed like a savage, and smelling to salt like cod", as she put it. But I had taken advantage that Carlo allowed it, in the couple years she had been absent from Punaouilo, to be exactly that 'little savage' she dreaded. But in France, Catherine's territory, she had definitely won -- and I had to be the neatest boy she made of me.







I was constantly questioning my parents about the sea. How I could reach the sea. "The sea is far away, Laurent!" Catherine had already explained it, "One day we will visit it, Laurent!", my father kept promising. "When?", was the only thing I wanted to know.

And while that excursion did not happen, Catherine had changed my room's decor into nautical and marine patterns, while Carlo gave me boats and submarines for toys, instead of cars and trains.








In France, I was to discover I was afraid of sleeping alone -- for I had never slept alone before in my entire life. 

I missed both Carlo's snoring and my mother's grumbling noises, as much as I missed the mysterious forest noises to fall asleep -- and when Catherine started leaving the door of my room open to the balcony, so that the nocturnal country sounds could enter my room, I was terribly scared. The mysterious owls had replaced the familiar, more exuberant and gleeful parrots, and I cried to the lowing of cows and the neighing of horses, so melancholic and doleful if compared to the boisterous monkeys that lived in the grove behind our chalet.








I started peeing on the bed, to my great embarrassment. 

"What is happening, Laurent?" Catherine had asked, half amused and half annoyed. "Are you too excited about your new life or are you marking your territory, just like a puppy?"

But I was too young to understand my own feelings, and the reasons giving rise to them  -- I just felt very confused and plainly ashamed.







I used to cry when I was all on my own, almost every day. Probably because I missed Punaouilo, really hard. I missed my home, our little damp, cramped cottage by the forest, even though in France I had a very spacious bedroom all to myself, full of toys and books, and even my own bathroom. I missed the vast landscapes I had known so well, the far horizon where sea and sky were of one indistinct blue -- while in France, everything was fenced within ungenerous limits. Hills brought the horizon just too close and narrowed it, giving me the sensation that I had been imprisoned -- not to mention the fences and walls I was not used to seeing everywhere. 

There were too many rules, too many things were forbidden, and a whole new social code to learn. 

I missed my school, where we happily sang songs and recited poems that got carried away by the breeze that roamed freely through the classrooms. The school in Punaouilo had been less than a hundred steps from the sea -- and just too often before returning home, we would swim after class, leaving our books and uniforms in the mango grove nearby. 








The happy days of going to and returning from school on a shadowy path under enormous, leafy mango trees, with the white sand and blue sea shining just on the other side of the road, were foreby. The path would go across the backyard of some friend's houses, and as they would join me, until we got to school we would be a bunch of six or seven happy kids. In France, I had to walk down a desolate road, along boring cultivated fields, to wait for the bus -- where I used to sit all on my own. I was the weird, funny kind in France, and no one would dare join me.

Though bullying would only start a little later, the school in France was a true horror for me, with all the kids aggressively competitive and dressed to impress, talking in slang and revolting against things that seemed quite orderly and reasonable to me. 

I now realize how I put myself into that submissive position that led to bullying, fearfully retracting and isolating myself rather than expanding. And somehow refusing to adapt -- I never dressed like any of the groups I could have belonged to in my survival struggle, and by the way how I dressed the mockery had begun. I was a tiny bit more exuberant than most of my French colleagues, and when I realized that, I was made shy. I also refused to play their games, and ultimately refused their friendships, too. During the class breaks, I would stick to my books, clearly enjoying Phileas Fogg and D'Artagnan's company better than my colleagues' useless chit chat. I considered Edmond Dantés, the Count of Monte Cristo, to be my best friend in my initial years in France.




*****





But from that harrowing period, there stands the most striking incident of all. One summer afternoon, a few months after we had arrived,  my father came home driving a fancy sports car. Carlo seemed to be enjoying himself in France, now that he had his own money.

"What foulness is this, Carlo?" Catherine accusingly questioned him, as he walked out of the car. 

"No need not be worried, Catherine!" Carlo was so happy with his acquisition, something inimaginable in his former life, and could not understand Catherine's wrathful irony. "I bought it with my own money! I got a new comission from an art gallery in Los Angeles and they have paid me in advance..."





"Oh, I don't care what you do with your money!" There had started a financial unrest between my parents, as Carlo seemed to be making more money with his paintings than Catherine with her books. It was not only her third book that she became an unstoppable bestsellers writing machine. "But I imagine that this car is a gift to me... and Laurent!" She exaggerated in her irony.

"Of course it is, Catherine!" Carlo was starting to feel weary. Catherine tapping her high heels indicated something was terribly wrong, but he could not fathom what. "You can use the car whenever you want! And--"






Catherine clapped her hands to interrupt him. "For God's sake, what is it that you don't yet understand, Carlo?", she continued to protest, "This car has only two seats, isn't it?" 

"Like any fast sports car, Catherine!" Carlo had replied, a bit indignant once he had started feeling hurt by my mother.

"Great! But I think you forgot that we are a family, Carlo! Who do you want to leave out?" Catherine's voice rose. "Laurent?" 

"Of course I won't leave Laurent out! Never! I'll be taking him to school in this car... Why do you want to bring up his education right now, Catherine?" Carlo was  convinced that she was overreacting.

"But I'm not bringing his education up!" Catherine shouted. "His education is perfectly fine, the proper education a refined French boy should get--"

It was Carlo's turn to interrupt her. "You know I don't agree on that, Catherine, and I don't see the point--"






"That's so foolish of you, Carlo!" She cut him short. "To think that Laurent would still be better  in Punaouilo, learning native songs and walking barefoot like the little Indian he is not! But don't try to change the subject!"

"It's not about being better, Catherine, it's about being happier! And I'm not changing subjects... I'm actually corcerned with him and no, I don't want to leave him out of anything... He is home, isn't he? I wanted to take him for a ride..." My father went on naively, trying to demonstrate his good will, feeling increasingly uncomfortable under her glare.

"So it's me you want to leave out, Carlo?" my mother exploded, stomping her feet on the floor. For once, Carlo was reminded of Catherine's arrival on the Île du Blanchomme, and the subsequent daily explosions when she had gained dominance over him.







"That's not what I said, Catherine... I can take you later on a ride too, if you want..." Carlo was perplexed with her anger, not quite yet understanding the reasons giving rise to it, but he decided to nevertheless apologize. "Sorry, sometimes I guess my French is still not so good to express what I'm thinking..." What have I done wrong?, my father must have thought. Just then did Carlo guess what the problem was -- Catherine must have been thinking a sports car was dangerous. But before he could reassure her, she was attacking him again.







"Your French is very good, Carlo. It's just your accent that is awful! And you're not as stupid as you appear to be! But let me translate what you are demonstrating when you buy a two-seater for a family of three members." My father blushed when he finally realized Catherine's point. "Unless you yourself stand away, Carlo, you will be leaving Laurent or me behind, whenever the other one is riding with you. God, that is so mean of you! And that's what your private toy means to our family, Carlo. The cruelty of exclusion. And you still say you are worried about Laurent's adaptation... Thus a family begins to disintegrate... It's really sad."







"Please forgive me, Catherine..." Carlo groaned, not hiding how embarrassed he was. "I never thought you could look at it that way--"

"A clear demonstration of your lack of consideration for our family, that's what it is! Shame on you!" Catherine had turned her back, puffing, and returned to the house, her high heels hitting the stone paved path and echoing in the hills next to our house.








In the immensely boring silence of our rural neighborhood, I had heard the powerful roar of a car engine approaching the house. Thrilled, I had come out of my room to the balcony, and watched the whole scene from the first floor, unnoticed. 

To the grief and anger of my mother, to the grief and shame of my father, I added my own sorrow and perplexity, when I returned to my room to cry.







Carlo's sports car was my parent's first major fight in France, and I never got to ride it without feeling sadness and guilt, no matter how cool and fancy that car might have been  -- and I think Carlo felt the same shame, and a few years later, he changed it for another sports car. But only after giving Catherine a family station wagon. And the period of endless bickering between them started, to only end when my father walked away on us.







"Laurent!" I suddenly heard my father calling my name, when he gently touched my thigh to wake me from my reverie. "We have arrived, son. But it really seems to be closed, already."






Saturday, November 15, 2014

Episode 30 | Closer to the truth







"I agreed with your mother that you were too young to understand some events." Carlo said, gravely. "But now you are an adult, and you can use your discerning and understanding about the reasons why so many things have remained hidden from you. And the lies told to keep them secret... I'm sad that it has to be me telling them to you, my son, but I think Catherine will never find the courage..."








I felt a shiver of anticipation. And when I thought my father was going to start talking, he again retreated into a concentrated silence. I did not realize he was choosing the most skillful way of revealing the facts to me -- I thought he had chickened out.

"Is Armand my father?" I was direct and incisive. Wealthy, cultured, traveled, spoiled, a bit of a dandy, intellectual, even if he were a homosexual... now that I knew better my father's best friend, I could imagine Catherine falling in love for a sophisticated man like him, and not with a pauper peasant like my father.







Carlo laughed happily. I had already realized that Gabriel, the handsome bartender, had been following our conversation from the distance, and he too seemed pleased to see my dad amused.

"Of course not!" he looked at me, surprised. "What an idea! I'm your father, Laurent. And this is not one of those stories of mystery and adventure that you wrote and illustrated in your childhood years..." And reluctantly, because his memories about his son could not extend beyond, Carlo added, "... and early adolescence."







Carlo seemed amused with my guess. His laugh was so youthful and full of joy, and since I liked to make people laugh, I continued. "So... Armand is my mother?" In fact, I was anxious and distressed, and I could behave foolishly when I felt like that, especially in front of my father, whom I had not seen for twenty years.  "I don't know... I was an apparition in this story... why wouldn't I be a freaking aberration, too? Born from the womb of a man with another man... Weren't you on an island with a powerful spell, the Island of Births?"








Carlo looked at me puzzled. Realizing that it wasn't serious, he again burst into laughter.

"Hahaha! I don't think even the natives have envisioned such a miracle, Laurent!" Suddenly, Carlo became serious. "I'm glad you're in such a light mood to approach this story, son..." and he laughed again.

That laughter! It had been twenty years now -- or maybe more, perhaps much more, since Carlo wasn't very happy while we lived in France -- that I hadn't listened to his laughter.







Suddenly, scenes of my childhood came back to me, infused with an impression of tenderness and the feeling of happiness. Precisely that period about which Carlo had talked, when Catherine had gone to France, and it was only the two of us in Punaouilo... I had found out that I had the ability to make my father laugh -- for until then, I had been trying it only with my mother, who was always seriously immersed in her books. And she had looked on me condescendingly, a little sad at my childish jokes, as if saying... How silly my son is. What a waste.







But my father could laugh at my jokes, and suddenly I found myself creating a repertoire to amuse and please him. It was during Catherine's absence that I truly became friends and affectionate with my father, because until then my focus had always been my mother -- seeking to attract her attention, win her approval. 

Interestingly, I remembered the joy I felt during that period, and that Carlo had taught me how to ride a bike and swim, and our mutual fondness -- but I could not remember my illness due to sadness, that he had mentioned. Had I really been that sad, with my mother's absence. Or had it lasted only until she had finally phoned me to say that she was already in France? -- and 'already' meant several weeks, maybe two months even, I think.







"When I got that huge amount of money from Davez..." Carlo recalled, "I could quit working as a house painter and exclusively devote myself to you, while we waited for your mother's return... And I could give you the bike you wanted so badly... You were so happy, and I was even happier!" Carlo was moved. "You never, ever complained about not getting the things you wanted as a child, Laurent. We were almost poor... But then, you had no terms of comparison, I guess, since the natives we befriended were also leading a very simple life... Those were happy days, only the two of us, all the time together..."







"Gentlemen, would you care for dessert now?" The bartender named after an archangel, and with the face of an angel, was again hovering near us. "And I would like to draw your attention to tonight's full moon, another privileged sight of our restaurant... Our best table has been kept for you..." Gabriel poised his invitation with a sexy smile and a touch of irony, since all tables were free. "...with the best view we have. Could I serve you another drink there?"








When I was about to answer "No thank you", Carlo sprung up from his seat saying "Fantastico!", ordering yet another type of wine. And ahead he went, to the table at the corner where the huge windows converted, impressively opening to the wide sky and onto the city, like an invitation to fly. My father chatted spontaneously with Gabriel, and I overhead he was intrigued how such a wonderful restaurant could be totally empty -- and I knew the handsome waiter had rehearsed the right answer to give him.








I followed my father across the restaurant. But my mind was elsewhere, and in another time -- instead of design furniture and exquisite collection of art on display, it were breadfruit trees and messes of iguanas around me. It had wandered back to Punaouilo, to my childhood memories of full moon nights... I recalled how lively they were, and how I'd stand alone in the back of the garden, close to the mountain and at the edge of the tropical groves, listening to the unruly noises of birds and other usually quiet animals, aroused by the full moon. I also remember in other occasions reading under the moonlight, fascinated by its intensity -- and that I could even cast shadows in such nights. Which, to me as a child, had seemed so magical, as if I had gained supernatural powers to turn the nights into darkened days.







"You were a fearless boy!" Carlo had once commented about my childhood. "Not in the sense that you were brave or courageous... You were a peaceful child, with a confidence... a general confidence, in life, I guess... that kids don't seem to have at your age. Because of that, you seemed to face all things fearlessly."

And in fact, I recall having often crossed the garden at night, from our little cottage at the corner of the backyard until the mansion, to deliver Joanna one message or another from Catherine or Carlo. Despite the darkness, making the grass a wide extension of mysteries, and the nightly noises springing from unidentified sources, I walked confidently -- while Joanna herself, who believed in evil spirits hiding in the shadows, was terrified that I should be walking alone in the dark. It was only later, when we moved to France, that like her I would dread the night and the dark places, and become a frightened kid -- but not in Punaouilo.








I realized I was feeling nostalgic... and affectionate. How could it be? I had foreseen myself enraged, calling for justice and atonement during that reunion with my father. 

HOW? and WHY? I was going to ask him, with the resentment I had cultivated for twenty years. Instead, he had taken the word and the direction of our conversation, he had taken me back to his youth, to rough times I'd never imagined had existed in his life -- and to that matter, in our life, the life of the small family he had tried to run... Strangely, I could only remember the wealthy Carlo of the final years in Punaouilo and back in France, when he was already a fairly well know artist, his works being sold in a few galleries around the world. And he bought me plenty of toys, and gave Catherine fancy dresses -- things he had been incapable of doing, back in Punaouilo.








I guess I had also forgotten how friendly and charming Carlo was, despite being shy -- or exactly for that. And how he could subtly change situations and even people's dispositions to his favor -- just like he was now doing it with me.

But that's not true. 

I had not forgotten it, and that was certainly part of my resentment -- why had I been deprived of his warm, affectionate presence for so long?








"After Armand left, I led a life of solitude, discipline and austerity on the Île du Blanchomme. But because they had been merrily self-imposed, it was a life of great peace and happiness, too." Carlo recalled, a discreet smile lighting his face.







"Every morning, I'd wake up before sunrise for my meditation session, and to the apparition that intrigued and comforted me at the same time." Carlo paused briefly, as if to punctuate my previous explosion at the mention of the apparition. He smiled sweetly, when this time I remained silent and attentive. "I still hadn't deciphered it. I was yet to understand the message it brought me, but which I nonetheless perceived to be that of a good future. And thus I grew very fond of the apparition, and that's how it started keeping me company on the Île du Blanchomme."







I worked diligently in the garden, always on the shaded side of the house, to be gentle with the plants and with myself. Gradually, I managed to clean the weeds and the dead plants, and started applying compost to the soil. In response, the seeds finally started germinating and would grow many seedlings. It was a lovely sight, and the myriad of buds seemed to bolster the energy of the island!






 With equal commitment and determination I painted daily, although I hadn't yet found a theme in that lush part of the world -- unlike the old abandoned factory, where the decay and decrepitude all around had fascinated and stimulated me.

I still practiced every day, to soon realize the canvas scrolls that I had brought with me would soon end. At some point, I'd have to leave the island to buy more -- not that I had the faintest idea about where to go. I sensed that when that time came, I should take the boat from the Île and just ride it to its final port, probably the same one where I had embarked with Armand. But at that moment, I did not even want to think about that!








Like formerly in the factory, I felt no desire to go out and face the world. My mind was the only wanderer, and sometimes I thought of my grandfather Tarso. How would he have reacted to the letter I had sent him from Paris, shortly before leaving for the Indian Ocean, saying I did not know exactly where I was heading to, leaving him no address, and saying that it was for an indefinite period? How would those careless lines and vague news about my plunge into the vast, unknown world have struck him, he who lived a rather simple and solitary life of a peasant widower, isolated in the high mountains? 

Now in my heart I apologized to him, for being so cold and uncaring. And I promised myself to start soon writing another letter, that I would somehow send to him, describing my tropical idyll and renewed happiness.







When I thought about Armand, however, I was still saddened. Sure, we had already been separated before. Like when after we graduated, he had left for his tour around Asia. It had been without the promise of reuniting even, and yet I hadn't felt his absence so much. 

But unlike Paris and the factory I had occupied on my own, at the Île du Blanchomme all things made ​​me think of him. I felt like I hadn't absorbed his presence enough -- though he had always been wise and generous during our Parisian years, after the crisis in his family and his experiences in India, he had become ​​far warmer, and more intense, more sincere, more affectionate.







Armand seemed to acquire a new importance in my life, more essential, and deeper... I started wondering if what I was feeling... affection... tenderness... a longing... wasn't it what people called love? I had read novels, I had watched movies and plays, and yet, experiencing it was completely unexpected and new to me.

"And suddenly, being in love with my best friend seemed so natural and welcome..." Carlo sighed.







Listening to my father's words, at that point I thought I knew what he was going to tell me next. 

Our conversation had lasted only a few hours yet, but I already sensed where his narrative was leading us to.

An answer, and an excuse to have abandoned me and my mother -- and they both bear the same name: Armand de Montbelle.